NEW RELEASE – OUT NOW
The past shapes the present – they teach us that in schools and universities. (Shapes? Infiltrates, more like; imbues, infuses.) This past cannot be visited like an ageing aunt. It doesn’t live in little zoo enclosures. Half the time, this past is nothing less than the beating heart of the present. So, how to speak of the searing, unpindownable power that the past – ours, our family’s, our culture’s – wields in the present?
Stories are not enough, even though they are essential. And books about history, books of psychology – the best of them take us closer, but still not close enough.
Maria Tumarkin's Axiomatic is a boundary-shifting fusion of thinking, storytelling, reportage and meditation. It takes as its starting point five axioms:
- ‘Time Heals All Wounds’
- ‘History Repeats Itself…’
- ‘Those Who Forget the Past are Condemned to Repeat It’
- ‘Give Me a Child Before the Age of Seven and I’ll Give You the Woman’
- ‘You Can’t Enter The Same River Twice’
These beliefs—or intuitions—about the role the past plays in our present are often evoked as if they are timeless and self-evident truths. It is precisely because they are neither, yet still we are persuaded by them, that they tell us a great deal about the forces that shape our culture and the way we live.
Axiomatic is Tumarkin's fourth book of non-fiction, and her most pioneering. Her three previous books, Otherland (2010), Courage (2007), and Traumascapes (2005), have each and all been critically acclaimed and shortlisted for major prizes.
More than seven full and long years in the making, and utilising her time as a Sidney Myer Creative Fellow, Axiomatic actively seeks to reset the non-fiction form in Australia.
LENGTH: 256 pp.
PUBLICATION DATE: May 2018
Sydney launch at Gleebooks bookstore, with Maria in conversation with Mireille Juchau – on Wednesday 20th June
ABOUT THE AUTHOR
Maria Tumarkin is a writer and cultural historian. She is the author of three acclaimed books of ideas: Traumascapes, Courage, and Otherland. All three were shortlisted for literary prizes; Otherland, most recently, was shortlisted for the Victorian Premier’s Award, NSW Premier’s Award and The Age Book of the Year. Tumarkin’s essays have appeared in The Best Australian Essays (2011, 2012 & 2015), Griffith Review, Meanjin, The Monthly, Sydney Review of Books, The Age, The Australian, and Inside Story. Tumarkin is involved in wide-ranging artistic collaborations with visual artists, theatre makers and audio designers. She was a 2013–14 Sidney Myer Creative Fellow in humanities and is a member of the Melbourne Writers Festival’s programming committee. Maria teaches creative writing at the University of Melbourne.
PRAISE FOR AXIOMATIC
“Maria Tumarkin writes of difficult topics with utmost integrity. Axiomatic is a dark gift: heartfelt, painful, full of sorrowful compassion. From schools, courtrooms, prisons, refugee camps, Soviet spaces and more personal inner life, come stories that break open the silence of suicide and the mystery of spirited persistence.”
“A brilliant kaleidoscope of arresting observations on suffering and innocence in modern times, Axiomatic is by turns illuminating, infuriating, engrossing and even amusing. I feel ambushed.”
“This is a highly original collection unlike anything I’ve read by an Australian author. Tumarkin’s writing style is unflinching and unique and her insight into human behaviour is extraordinary.”
Kara Nicholson, Readings
“Everyone is looking for the next Helen Garner and Maria Tumarkin shares with Garner a gimlet eye for the flaws in official systems, along with a fascination for the narratives nested in everyday lives. Axiomatic’s symphonic structure, however, recalls Svetlana Alexievich, the Belarusian journalist and Nobel Laureate. She is another for whom reality attracts like a magnet, who has made a career out of appropriating and braiding voices and documents, seeing the world as a chorus and a collage. With this remarkable, wild, risk-laden book, Tumarkin has earned the right to be mentioned in the same breath as both of them.”
The Saturday Paper
“Axiomatic is a series of open-ended essays about different people, as well as Tumarkin’s own intense experiences of love and friendship. Consoling pieties do not interest her. There is no resolution, no comfort. It is a bleak view of the world, but for many people, including Tumarkin’s friend Vera, 'That’s how it goes.' This happened. That happened. I am here. You are here. Lucky for us Tumarkin is here, too. Trying.”
Helen Elliott, The Monthly
“Again and again in Axiomatic, Tumarkin confronts the meagreness of the written word in the face of trauma as she muses on her inability to write the text she had intended ("I was working on this book and a year passed, then two, and two more …"). Yet again and again, she herself demonstrates what literary prose can do.”
Jeff Sparrow, Sydney Morning Herald
“There is a convention, towards the end of a review, to compare the writer with their peers, contemporary or long gone, to situate them in a continuum, to give a curious reader an idea of what they would expect. But to compare this work to anything on the shelves would be a disservice and, besides, the sheer breathtaking ambition of it has humbled and shamed me out of it. ... With Axiomatic, Tumarkin is simply operating on a higher level to the rest of us.”
Liam Pieper, The Australian
“By inhabiting and embodying the spectrum of human pain and suffering, Tumarkin fights for every person encapsulated in Axiomatic, and in doing so has created something deeply original and essential to understanding the core of the human experience.”
Sonia Nair, Feminist Writers Festival
Maria Tumarkin’s “Axiomatic” is why I read books. It is extraordinary: powerful, daring and deeply tender. A masterpiece and an original. I honestly can’t say enough good things about it. I was utterly blown away.— Michael Williams (@mmccwill) May 20, 2018
Thought I would read just a couple of pages of Maria Tumarkin’s Axiomatic, before the next thing on the list, but here I am, weeping and electric with her words at the end of the first essay and unable to stop. Phenomenal. @Brow_Books— kate mildenhall (@katemildenhall) May 23, 2018
CAN WRITE. Every page of Maria Tumarkin’s ‘Axiomatic’ is a little gift but this passage on the nature of time in particular stopped me in my tracks. pic.twitter.com/JNSvaAJvV8— Sophie Black (@sophblack) May 21, 2018
I just read the first chapter of Axiomatic by Maria Tumarkin and I feel like my heart has been ripped out of my chest and held in front of my face. Extraordinary. Thank you @TheLiftedBrow.— Felicity Watson (@felixexplody) May 25, 2018
I cannot express adequately how much I am loving Maria Tumarkin's book Axiomatic. Her writing is a whole other level of skill. I was in tears at her empathy within the first chapter. Goodness knows what the people on the tram thought of the woman sobbing in the corner! 🤣— KelB (@KelButler) May 27, 2018
This book fucked me up for life. It is also one of the best essay books I've ever read. The section on reaching the age where your parents died really got me. It's awesome. Axiomatic by Maria Tumarkin from @TheLiftedBrow. I want more pic.twitter.com/8nFlSursMI— Thin-skinned & Prickly (@legendsoflucas) June 3, 2018
#Axiomatic by #mariatumarkin @brow_books is extraordinary. A book I had to keep putting down to properly take in. Have not stopped recommending it. Feel the same way I did after I read #Didion & #Garner & #Solnit for the first time - like I have a new understanding of what words can do. #readinglist2018 #womenwriters #australiannonfiction #mustread #amreading #smallpress
Helen Garner says, “Nobody can write like Maria Tumarkin: she charges headlong into the worst and best of us, with an iron refusal to soften or decorate; sentences bare of artifice, stripped back to the bone, to the nerve; fired by raging grief and love.” Find Maria's #sydneywritersfestival event via the link in our bio.
Well I dunno but I reckon, being halfway through it and unable to concentrate on much else, that #mariatumarkin latest book Axiomatic is one of the truly GREAT BOOKS of the world. (No ! Needed)— Bernadette Brennan (@dettebrennan) June 12, 2018