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Issue 41
MARCH 2019

Featuring cover art by renowned artist Molly Dyson, and: Aimee Knight investigating the critical field of gendered listening; 2018 Experimental Non-Fiction runner up Cassandra Rockwood-Rice offering a lyrical exploration of generational trauma; Gina Rushton with a meditation on the ethics of pawnbroking and addiction cycles; Isobel Parker Philip weaving a lyric essay on the wind, Anne Carson, Tasmanian colonial history and the vulnerability of necks; Antonia Pont ruminating upon consent by tackling questions of anger and rejection; new experimental memoir writing from WJP Newnham; curious new short fiction pieces from Camilla Grudova and Nick Robinson; a Sheree Joseph short story about a raucous night in a Beirut nightclub; translated fiction from Chloé Savoie-Bernard on the juncture between desire, race, and the body (brought into English from the Canadian French by Frances Egan); and new poetry from Holly Friedlander Liddicoat, Harry Reid, Aden Rolfe, and Arden Levine.

Michael Dulaney’s ‘Environment’ column, Hayley Singer’s ‘Ecology’ column, and Benjamin Law and his mum Jenny Phang’s ‘Law School’ sex advice column.

New comics and visual art by Michael Fikaris, Lasse Wandschneider, Caroline Wylds, Haein Kim, Bridget Mullen, Grace Rosario Perkins, Lee Lai, Nancy Li, Neva Hosking, Jo Ruessmann, Trevor Shin, Ali Chalmers, Natalia Zajaz, Claude Joyeux, Pete Warden, Rosemary Vasquez-Brown, Claudia Chinyere Akole, and Peo Michie.







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