Umami is a very special collaborative remix project between The Lifted Brow and Cordite Poetry Review. Original pieces of poetry and flash fiction were selected by Cordite guest editor Luke Davies, before The Lifted Brow assigned some of our favourite creative minds — visual artists, writers, musicians, architects, programmers, designers and technicians — to remix these originals and produce fourteen new works. Each weekday over three weeks we’re publishing a new one of these extraordinary responses on our Umami site.
Today we feature installation artist Kate Geck’s remix of a poem by Khalid Warsame.
Kate Geck is an installation artist working with digital and sensory space. In particular, the ways technology can skew and mask sensory experience, and the differences between what she terms mediated and non-mediated immediacy. Her installations feature acrylic sculpture, kaleidoscopic projections and augmented, digitally printed substrates. Based in Melbourne, Australia she is a CCD artist at Artful Dodgers Studios and lectures in Illustration at Melbourne Polytechnic. Exhibitions include ISEA 2015 (Vancouver), International Centre for Contemporary Art (Singapore), San Francisco International Art Festival, Nextwave, NGV Studios, Dotonbori (Osaka) and L'Atelier Kunst (Berlin). She has received awards from Australia Council, City Of Melbourne, City of Yarra, NAVA, Arts Vic, Copyright Agency, commissions from State Library of QLD, Metaverse Makeovers, SIGNAL, Polyglot, Brisbane Festival and has been a finalist in the Churchie, Agendo and Toyota emerging art prizes.