‘Red Berry, Blue Berry: Working in Rural Australia’, by Dhruva Balram
COMMENTARY
‘Die Hard, or Just Live in Mild-to-Severe Discomfort: on the Portrayal of Illness and Disease in Film’, by Charlotte Karp
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‘All Rapped Up: The Creation of a Hip Hop Space in 1970s South Bronx’, by Kali Myers
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‘The Tyranny of Truth (or, How I Learnt to Stop Worrying and Start Lying)’, by Gabriel Watts
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‘Down Where It’s Wetter: Mermaids, Menstruation, and Marine Ecology’, by Aimee Knight
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‘Colouring Inside Lines’, by Ruth McHugh-Dillon
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‘In Praise of Audiobooks’, by Ben Brooker
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‘An Uncertain Prognosis’, by Emilie Collyer
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‘How to Live in Trump’s World’, by Omar Sakr
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‘Imagining the Deaths of Rupert Murdoch and Bill Leak: Honi Soit’s Reassuring Satire’, by Dan Dixon
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'Slumtree' by Tara Kenny and Rachel Ang
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‘Instagram Stories: A Neorealist Window’, by Doosie Morris
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‘A City Romance: A Response to CHART Collective’s “I Was Here” Project’, by Molly Lukin, with photos by Alan Weedon
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‘Brown Cardigan McGuires You: Mainstream Memelords, the Libertarian Laugh, and How Things End with a Joke, Not a Whimper’, by Alex Griffin
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'More than MOFO: A Tour Guide to Tasmania’s Thriving Regional Art Centres', by Ruth Dawkins
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'Home and Hope in the Ethno-burbs', by Sukhmani Khorana
COMMENTARY commentary have appeared in Overland, Kill Your Darlings, Peril, Crikey and The Conversation amongst others.
Women in Sport: ‘Out on Instagram: Are Elite Sportswomen Changing What Coming Out Looks Like?’, by Danielle Warby
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‘Ironic Sexism: The Male Gaze of Hipster Spaces’, by Emma Pitman
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‘I Can’t Stop Crying – Gaybourhood Watch,’ by Quinn Eades
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'Making A Murderino: A Feminist Dissection of True Crime' by Aimee Knight
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