THIS YOUNG MONSTER
(with a new introduction by Adam Curley)
OUT MARCH 2019 – PRE-ORDER NOW
This Young Monster is a hallucinatory celebration of artists who raise hell, transform their bodies, anger their elders and show their audience dark, disturbing things. What does it mean to be a freak? Why might we be wise to think of the present as a time of monstrosity? And how does the concept of the monster irradiate our thinking about queerness, disability, children and adolescents?
From Twin Peaks to Leigh Bowery, Harmony Korine to Alice in Wonderland, This Young Monster gets high on a whole range of riotous art as its voice and form shape-shift, all in the name of dealing with the strange wonders of what Nabokov once called ‘monsterhood’. Ready or not, here they come...
LENGTH: 288 pp.
PUBLICATION DATE: March 2019
ABOUT THE AUTHOR
Charlie Fox is a writer who lives in London. His work has appeared in Artforum, The New York Times, frieze and many other publications. He was born in 1991.
PRAISE FOR THIS YOUNG MONSTER
John Waters, New York Times
“Charlie Fox writes about scary and fabulous monsters, but he really writes about culture, which is the monster’s best and only escape. He is a dazzling writer, unbelievably erudite, and this book is a pleasure to read. Fox’s essays spin out across galaxies of knowledge. Domesticating the difficult, he invites us as his readers to become monsters as well.”
“Charlie Fox is a ferociously gifted critic, whose prose, like a punk Walter Pater’s, attains pure flame. Fox’s sentences, never 'matchy-matchy', clash with orthodoxy; I love how extravagantly he leaps between different cultural climes, and how intemperately — and with what impressive erudition! — he pledges allegiance to perversity. Take This Young Monster with you to a desert island; his bons mots will supply you with all the protein you need.”
“This Young Monster is a hybrid animal in its own right, suturing biographical essays with stranger things: a “dumb fan letter” to the Beast, a meandering confession from Alice, bombed out after her many years in Wonderland. ... There’s not enough of this sort of playfulness and frank enthusiasm in art criticism.”
Olivia Laing, New Statesman
“Charlie Fox has a cardsharp’s diamond-eye for cataloguing the shapeshifting face of the sublime. His essays slither through skins over the warm flesh where so many mythic worlds and realities connect, from that of Twin Peaks to Diane Arbus, Fassbinder to Columbine, which somehow in their amassment ventriloquise a tender, enchanted endnotes for our black present. Put on this mask and breathe.”