The 2019 PRIZE FOR EXPERIMENTAL NON-FICTION, brought to you by the lifted brow and rmit's non/fictionlab


The Lifted Brow & RMIT non/fictionLab Prize for Experimental Non-fiction aims to unearth new, audacious, authentic and/or inauthentic voices from both Australia and the world.

This prize seeks work that is unlike any other. We want to hear from writers we’ve never read before, and we want writers we already know and love to challenge themselves to create work unlike any they’ve previously produced.


First prize is AU$5000 + publication in The Lifted Brow
Two runners-up will each receive AU$500 and discussion with editors w/r/t publication of their pieces


Timmah Ball, Chris Kraus & Quinn Eades


May 1st, 2019


5000 words

Submissions to this prize need to be able to be published on the printed page. We applaud the current focus and fascination with boundary-pushing non-fiction that is published online, but we still believe there’s scope to further experiment on the page, using facts, maybe-facts, words from life, journals, journalism, collage, theory, photography, illustration, tricks, arguments, etc. The essay, as the end of experience, is a malleable form, and we want to celebrate that with this prize.

What is ‘experimental non-fiction’? Like all non-fiction writing it is steeped in facts, real events and real people, with the aim of communicating information, argument, and truth. It differs from traditional non-fiction in that it tries to convey its meaning using unorthodox form, or style, or voice, or point-of-view, or etc. The best pieces of experimental non-fiction are those in which any unorthodox element deepens the meaning and authenticity of the subject matter.

Submit your entry.



Entries are welcome from writers anywhere in the world. We particularly encourage people who identify as queer and/or trans and/or of any colour, religion, or gender, and/or have a disability, and/or are rad and excellent and canny, to apply. There is no age limit.

Online submissions only. No hard copies. Deadline is midnight AEST on May 1st, 2019. Late submissions will not be accepted.

In a short cover letter, please include: your name, address, phone number, email address, the title of piece, its word count, a one-paragraph bio, and a one-paragraph synopsis of the piece.

Each entry must be accompanied by an entry fee of AU$7. All entry fees go directly to the running of the prize. This fee is waived for subscribers to The Lifted Brow and also for current RMIT University students and RMIT University alumni. TLB staff are not eligible to enter. RMIT staff may enter as they are not in any way involved in the reading process. If an entrant elects to withdraw an entry, the entry fee will not be refunded.

Entries must be a single piece of up to 5,000 words, written in English (any footnotes or endnotes should be included in that word count). Please make your entry legible.

All entries are final. No revisions are accepted. Multiple entries are permitted, each with an entry fee. Entries must be original works written by an individual author or a collaboration between authors, and must not infringe upon anyone’s copyright. Entries should not be on offer to other publications or prizes or anthologies for the duration of the prize. Previously published, prize-winning, or broadcast work will not be accepted. (Previous online posting constitutes prior publication.)

Copyright remains with all entrants, including the winner.

All submissions will be read blind, meaning that your submission will be assessed without your name or any biographical information attached to it. As such, your name must not appear anywhere in the document or in the name of the file. The file name should only include the title of the piece.

Due to the large number of submissions, The Lifted Brow editorial staff will take responsibility for the initial reading stage, during which a shortlist is decided upon. That shortlist of pieces is what the judges will read.

A longlist will be announced in mid-June, followed by a shortlist in mid-July, followed by the announcement of the overall winner with the publication of The Lifted Brow Edition 43 in September 2019. The judges’ decision is final, and no correspondence will be entred into about the judgements or the judging process. Only shortlisted entrants and the winner will be notified. No feedback will be given on entries. TLB reserves the right not to award a prize.


The Judges

Timmah Ball is a mixture of things: urban planner, writer and community arts worker. She grew up in Melbourne but her heritage is Ballardong Noongar from Western Australia on her mother’s side. She is passionate about using arts and culture to create inclusive cities and believes that planners need to think about people rather the zones and overlays.

Chris Kraus is a Los Angeles–based writer, art critic, and editor whose novels include I Love Dick  (1997),  Torpor  (2006), and Summer of Hate  (2012). Her writing navigates and mediates seamlessly between autobiography, fiction, philosophy, and art criticism. She teaches creative writing and art writing at The European Graduate School / EGS and has been a visiting professor at the Art Center College of Design, the University of California at San Diego, New York University, the San Francisco Art Institute, and the Los Angeles Contemporary Archives. Along with Sylvère Lotringer and Hedi El Kholti, Kraus is coeditor of the influential publishing house Semiotext(e), which has introduced much of contemporary French theory to an American audience, and published writers such as: Abdellah Taia, Veronica Gonzalez Pena, Mark Von Schlegell, Robert Gluck, Natasha Stagg, and Dodie Bellamy.

Quinn Eades is a researcher, writer, and award-winning poet whose work lies at the nexus of feminist and queer theories of the body, autobiography, and philosophy. Eades is published nationally and internationally, and is the author of all the beginnings: a queer autobiography of the body, and Rallying. Eades is a Lecturer in Core Interdisciplinary Studies at La Trobe University, as well as the founding editor of Australia's only interdisciplinary, peer reviewed, gender,  sexuality and diversity studies journal, Writing from Below. He is currently working on a book-length collection of autobiographical fragments from the transitioning body titled Transpositions